We are shooting a music video on film with a female brilliant director and need a bit of help getting it over the line.
Nelson
Dirty Light will be the first single off our new album, and it is louder, weirder and more fun than anything we have made before. If you have seen us live over the past couple of years, this is one of those nasty new loud ones, a cacophony of drums, guitar and multiple feminine yelpings. Naturally we want the video to match.
We are shooting it on 16mm film, because Sarah Burton is directing it and she does not do things by halves. Sarah is an incredible photographer, published in The Guardian among many others, she has an uncanny eye for a strange, glowing kind of femininity, editorial and a little otherworldly. Her storyboard for this is astonishing. Multiple locations. A cast of 10 to 20 women. A river sequence at golden hour. Underwater shots. It is a lot. We love it.
If you have been to a Come As You WAA! choir session, danced at a Hannah in the Wars show, or just quietly enjoyed a song of ours from afar, this is your chance to be part of something before it even exists. No pressure. But also, please.
If you can't spare any clams right now, we absolutely understand. Times are tight, my friends. You can still help, just by sharing this page, by following us on Instagram and giving us a spin on Spotify. Turns out the pandemic and matrescence haven't been massively kind to our numbers, and those funding gurus, they care a lot about that stuff.
Film stock and processing, crew, hair and makeup, wardrobe, wāhine wranglers, editing, colour grading.
Thank you for chucking a few dollars our way. We promise it is going straight into film stock and not, regrettably, a palomino pony.
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