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PETTY CRIME - World Premiere of a new NZ Musical

  • going pro

      21 May 2019
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    Hi --have reopened the donor door as I am now moving towards doing a professional production with paid actors and an auckland venue. We'll be applying for the usual grants( excuse the analogy) and looking for a producer to manage things I am just not good at. That's something I learned very clearly in the process of getting the show on here at Waiheke Artworks Theatre. It also blew my mind how expensive it is to do a show even though you use recycled materials for set handsome of the costumes but that was also a choice in the move to sustainable No 8 Wire Theatre. But costumes, lights, sound and set were bloody fine. I may also hand the production over to another director for a fresh take. It's not hard to be stymied by being to close to a script and show, especially if you have written it as well. But audiences LOVED it and it was a great pleasure to sit up the back and hear people's laughter and feel them being moved by Matthew Brown's music and the actors work.

    'Enough. I always bang on too much. So we have no date but it will be in the NTCF. KEEP THEATRE LIVE AND ALIVE. PETTY CRIME has been born and the mid-husbands and wives are chuffed.

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  • ALL OVER BAR THE SHOUTING

      21 May 2019
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    So we did it -- and not only that but the pleasure of sitting at the back of the 120 seater theatre and hearing people laughing, sighing, saying nothing but exuding emotional energy all over the theatre -- the incredible job lighting designer Nik Janiurek did which was operated immaculately and with love by Rob Hannaford, dear Craig Jamieson- humble sound man from Tauranga who I met when we were both 'keen as mustard' fledglings at the Tauranga Operatic Society. New friend Paul Athy donated his little house near the theatre for sound design and operator Craig as did Michelle and Phil Kean generously provide a roof over the head of King Rat -- Aaron Ward who learned the role in 2 weeks after coming home from a successful season of MIDDLE AGED SPREAD. It was great to have some new input and he took over some directing duties while I had what I hope was some well deserved down time till we onslaughtered into production week which consists of tech rehearsals, dress, lighting, makeup, sound checks -- basically for the technicals of the production. Cut to opening night... it has to be the closest thing to having a baby for a man - and we had a bonny bouncing family of animals who were thrilled at the response and went on to spit and polish the show until the excellent closing night. We made it by the skin of our teeth financially but monies from ticket sales haven't come in yet ... TICKET are very quick to take your money but we have to wait 2 weeks till after the show to get the pay out. Seems the way most corps work ... what's best for them! So hoping to pay the bills and give those involved a koha.

    STOP PRESS: I have been in touch with the people at PLAYHOUSE THEATRE in Glen Eden ... a wonderful 240 seater theatre with brilliant tech specs and hope to launch into a professional production to take it to the next level. If and when is still to be determined.

    so i am leaving the G.A.L. bank account open in the hope that people may still offer support.

    Thanks to all those who contributed, ARTWORKS THEATRE BOARD, FRONT OF HOUSE, ANDY BOSTON for his primo stage management, Baraka and Amanda Sorrenson for the bloody brilliant animal make-up and costumes that blew minds and received so much praise- rightly so from KRISTEN SORRENSON. that's all for now.

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  • VARIOUS NEFARIOUS

      24 March 2019
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    MORE GRIST FOR THE MILL

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  • GRATITUDE FROM GRANT

      24 March 2019

    At this point I just wanted to acknowledge you, the people who have donated to this dream of mine, and even though Matthew is no longer with us in the physical i feel him close and involved still as we put the cast through their vocal paces and our wonderful Musical Director Stephen Small has stepped in to take us over the finish line --or is it just the beginning of the LIFE OF PETTY CRIME? I certainly plan to explore taking it off-island and hopefully out to Glen Eden to the wonderfully equipped PLAYHOUSE THEATRE and give the Westies a run for their money. I had mentioned my gratitude for donations which have manifested always in great time to pay for preparatory materials, rehearsal space, fliers, deposits -- Show Business ... no biz like it. We are

    just in the middle of a Sunday rehearsal with Stephen dissecting every note and word after our first sing thru - which was better than I expected and glad to see people used their week off to ramp it up a bit. The main reason was to remind you and make good on my promise to offer what has to be a section of tickets for opening night( 30 to be exact) to those people who donated $100 or more. The theatre only holds 120 so you can understand I am slightly limited in my generosity. Anyway -- bookings are open at www.artworkstheatre.org.nz

    or www.awt.org.nz. Hope to see you there, or if we are successful in getting over to the mainland -- that we see you there. Again..my GRANTITUDE.

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  • COUNTDOWN TO WORLD PREMIERE

      20 March 2019
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    it is with great pleasure and a sense of increasing anticipation that we announcing the engagement of Aaron Ward to play chief boss rat HOODY in the forthcoming Waiheke World Premiere.

    Bookings -- www.awt.org.nz

    Season opens May 4-11 @ Artworks Theatre - Waiheke

    (Pictured left) Aaron Ward who plays BossRat HOODY

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  • givealittle extension

      6 January 2019

    Hello Petty Crime enthusiasts, supporters, donors, animal lovers, cast and crew.

    I have applied for an extension to the donation time-frame up till the end of April - very close to opening in May( date to be confirmed) It's just a case of gathering as much $$$'s for the production as possible to make it the best we can- and even though I have tried to be smart and without compromising the quality of content - certainly enter the realms of 'SUSTAINABLE THEATRE' by using second hand and recycled props and stage set and go the minimalist/expressionist path which, among others things, gives the audience an opportunity to use their imaginations. I*ll cast the net out again soon, hoping to snare some more support in areas which I have not yet ventured into. Please pass the word around, share the link, and make our WORLD PREMIERE a memorable and heart felt occasion.

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    • 20/03/2019 by Petty Crime Productions

      HI ALL --- updating you.

      Going great guns and the hard parts are getting less hard as excitement grows around release of sales -- available for season from 4th May to 11th May at ARTWORKS THEATRE - WAIHEKE.

      tickets from www.artworkstheatre.org.nz

      I always love putting WORLD PREMIERE in writing as it makes it feel even more special about the show and I know MATTHEW BROWN,my dear dead friend who wrote the music will be thrilled. Matthew had a sense of humour and was broadminded to the point of obscenity and I know wouldn't mind telling you ' He's dead at the moment'-- as rehearsal pianist Paul Barrett says. He would also kill to be playing the grand piano the theatre now owns and will be onstage for our show.

      STOP PRESS: It is with great pleasure I announce that we have cast

      AARON WARD as lead boss rat HOODY. I*ve known Aaron for a long time and after offering him the role once before and having to let it go, he is now lined up for our PREMIERE - and excited, although presently his focus is on MIDDLE AGE SPREAD at Centrepoint Theatre in Palmerston North. Apart from our more than wonderful cast( hand picked by me from Waiheke pool of talent) we have Nik Janiurek designing lights. Nik and I knew each other back in the halcyon Mercury Theatre days when he was a fledgeling and apart from his recent success designing the lights for the Hamilton Arts Festival, Nik is in demand from Auckland Theatre Company, NZOPERA, and other professional theatres. Also Rob Hannaford, another technically talented Waihekian is on board on the technical/lighting/sound/side. He was Stage Manager for Jazz Singer Diana Krall.

      Oh we are dripping with celebrities. Also thanks to Liz Greenslade and Sally Ewer for administering their marketing skills which are really beginning to kick in.

      How lucky am I. All these people, including a generous reduction in hireage from OCEANIA sound and CREATIVE COMMUNITIES have been supportive in the past and we hope our application for funding which comes out late April will give us the means to add some much needed finishing touches to the whole shabang.

      I would ask that you do a bit of networking on my/our behalf and let your friends know about the show and GIVEALITTLE - the opportunity is only there for another month or so and some more financial support would be well used. That's all for now. KEEP THEATRE LIVE & ALIVE !!!

  • GIVE A LITTLE not a lot!

      10 July 2018
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    Hi - I*ve finished prepping the givealittle information and it's all going so well -- about $600 so far which will go towards staging, set, venue hire, sound hire - all the things that make a show 'magic'. will continue to update on progress and thanks for your interest. Without donations it can't happen. Grant Bridger

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  • Director/Writer's note- a chat about the show.

      4 June 2018
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    PETTY CRIME – the NEW NZ musical.

    Book and Lyrics – Grant Bridger

    Music – Matthew Brown

    “Art is the daughter of Freedom.” “The dignity of mankind is in your hands, protect it! It sinks with you! With you it will ascend.” Friedrich Schiller

    I heard that on National Radio this morning in an interview with actor/writer Stephen Fry and it captured my imagination. But what of animals? When you think of it they are almost as versatile in their habitats, as humans. Humans and animals live in the wild, humans and animals can be easily domesticated – animals sometimes more easily.

    I always wondered about the imagination of animals, if indeed they had them and out of this mind meandering and my own imagination, the idea of animals living in semi-captivity, in this case an Animal Shelter/Pet Shop and being aware that they are living in a world controlled by humans. Then came PET’S PALACE – a sort of a half way house for ‘woofs and strays’.

    And so PETTY CRIME was born and driven by my abhorrence for animal testing and love for theatre, music and entertainment, I decided to make this a central theme.

    A very amazing process began and as I progressed, I started having dreams in which the characters came to me and discussed their lives and ambitions, states of mind and likes and dislikes not to mention adventures!

    Surely animals have imagination, don’t they?

    I never went to the ‘portable typewriter’ ( it’s true) without being inspired by the night’s dreams and activities.

    So I have already given away that the musical has been around a while and been through many incarnations and drafts and a few character withdrawals and additions. I have discovered that writers rarely ‘underwrite’ – that’s for the producer to wrangle - but frequently overwrite and painful as it may be to see their words and ideas exit the page, the result is usually an improvement. This happened after a workshop production we did with a cast of all ages from the Auckland Youth Theatre – a ‘production workshop’ where they performed the show 3 times to family and friends. At the time, Peter Calder was Arts & Theatre Critic for the Herald, and wrote,

    “This is the most exciting piece of raw theatre I have seen all year”

    On the last night I said to the cast, “ This is yours tonight. Take it and make it your own. All I would say is – no surprises and be there for each other”.

    I sat on the bleaches and simply wept and when I looked around, I was not the only one shedding a tear. It was all at once touching and funny and had all the potential of a great show. I went home and rewrote it immediately.

    It’s funny how you can drive round and thereby avoid the potholes and pitfalls of your creation.

    The characters, I know intimately after such a long live-in relationship.

    Before I introduce the characters, I should say that the Pet Shop, which is also transformed into CHEESERS nightclub by King Rat, Hoody and cohorts but dear, delightful dotty Doris owns and manages PET’S PALACE .

    Hoody’s lover, a beautiful white rat called Vermine, was a singer in the club, but has mysteriously disappeared and we soon discover through underworld ‘RATFIA’ network that they have captured her and hocked her off to the testing lab.

    What will become of her?

    Daniel is a Cockney Spaniel who spends his time mostly whining about discomfort and lack of food, Piaf- the French Poodle has been working up her new Pole Dancing Act for the Club, Strut is a Bi-Sexual Bull terrier with a mini gym in his space and one of my favourites, Ted, a turtle who was mistakenly bought as a tortoise and is brought into the shop. He dreams of being a dancer- a dream that sees him ‘slip outa his shell – and dance - dance wonderfully!

    In the heart stopping cameo ‘I JUST WANNA BREAK OUTA MY SHELL .

    So is the aria, “ I’VE BEEN THRU IT ALL” sung by the remarkable PUSSTITUTE, Catrina – born in the lab and having had practically all her internals tampered with, is thrown out- no longer of use.

    Because of her low self image and esteem, she becomes a ‘street puss’.

    I did want to say that even though the show was inspired by my idea of animals surviving in a world controlled by humans, it by no means ‘preaches’ I have been in enough musicals and toured the world for some 40 years, and learned that the best way to get a message across is to entertain the hell out of an audience and include the message, if indeed there is one.

    I’m very excited to be directing a world premiere @ Artworks Theatre, Waiheke next year, with amateurs and a semi pro cast. I welcome your suppport and interest.

    As the title song expresses:- ‘So here’s to life, la vie for me, to hell with la propsperity

    And as long as we have breath, we still have time

    IT’S ONLY PETTY CRIME.

    GRANT BRIDGER-WRITER/DIRECTOR

    waihekegb@gmail.com

    0274 842524

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  • Director/Writer's note- a chat about the show.

      4 June 2018
    Main image

    PETTY CRIME – the NEW NZ musical.

    Book and Lyrics – Grant Bridger

    Music – Matthew Brown

    “Art is the daughter of Freedom.” “The dignity of mankind is in your hands, protect it! It sinks with you! With you it will ascend.” Friedrich Schiller

    I heard that on National Radio this morning in an interview with actor/writer Stephen Fry and it captured my imagination. But what of animals? When you think of it they are almost as versatile in their habitats, as humans. Humans and animals live in the wild, humans and animals can be easily domesticated – animals sometimes more easily.

    I always wondered about the imagination of animals, if indeed they had them and out of this mind meandering and my own imagination, the idea of animals living in semi-captivity, in this case an Animal Shelter/Pet Shop and being aware that they are living in a world controlled by humans. Then came PET’S PALACE – a sort of a half way house for ‘woofs and strays’.

    And so PETTY CRIME was born and driven by my abhorrence for animal testing and love for theatre, music and entertainment, I decided to make this a central theme.

    A very amazing process began and as I progressed, I started having dreams in which the characters came to me and discussed their lives and ambitions, states of mind and likes and dislikes not to mention adventures!

    Surely animals have imagination, don’t they?

    I never went to the ‘portable typewriter’ ( it’s true) without being inspired by the night’s dreams and activities.

    So I have already given away that the musical has been around a while and been through many incarnations and drafts and a few character withdrawals and additions. I have discovered that writers rarely ‘underwrite’ – that’s for the producer to wrangle - but frequently overwrite and painful as it may be to see their words and ideas exit the page, the result is usually an improvement. This happened after a workshop production we did with a cast of all ages from the Auckland Youth Theatre – a ‘production workshop’ where they performed the show 3 times to family and friends. At the time, Peter Calder was Arts & Theatre Critic for the Herald, and wrote,

    “This is the most exciting piece of raw theatre I have seen all year”

    On the last night I said to the cast, “ This is yours tonight. Take it and make it your own. All I would say is – no surprises and be there for each other”.

    I sat on the bleaches and simply wept and when I looked around, I was not the only one shedding a tear. It was all at once touching and funny and had all the potential of a great show. I went home and rewrote it immediately.

    It’s funny how you can drive round and thereby avoid the potholes and pitfalls of your creation.

    The characters, I know intimately after such a long live-in relationship.

    Before I introduce the characters, I should say that the Pet Shop, which is also transformed into CHEESERS nightclub by King Rat, Hoody and cohorts but dear, delightful dotty Doris owns and manages PET’S PALACE .

    Hoody’s lover, a beautiful white rat called Vermine, was a singer in the club, but has mysteriously disappeared and we soon discover through underworld ‘RATFIA’ network that they have captured her and hocked her off to the testing lab.

    What will become of her?

    Daniel is a Cockney Spaniel who spends his time mostly whining about discomfort and lack of food, Piaf- the French Poodle has been working up her new Pole Dancing Act for the Club, Strut is a Bi-Sexual Bull terrier with a mini gym in his space and one of my favourites, Ted, a turtle who was mistakenly bought as a tortoise and is brought into the shop. He dreams of being a dancer- a dream that sees him ‘slip outa his shell – and dance - dance wonderfully!

    In the heart stopping cameo ‘I JUST WANNA BREAK OUTA MY SHELL .

    So is the aria, “ I’VE BEEN THRU IT ALL” sung by the remarkable PUSSTITUTE, Catrina – born in the lab and having had practically all her internals tampered with, is thrown out- no longer of use.

    Because of her low self image and esteem, she becomes a ‘street puss’.

    I did want to say that even though the show was inspired by my idea of animals surviving in a world controlled by humans, it by no means ‘preaches’ I have been in enough musicals and toured the world for some 40 years, and learned that the best way to get a message across is to entertain the hell out of an audience and include the message, if indeed there is one.

    I’m very excited to be directing a world premiere @ Artworks Theatre, Waiheke next year, with amateurs and a semi pro cast. I welcome your suppport and interest.

    As the title song expresses:- ‘So here’s to life, la vie for me, to hell with la propsperity

    And as long as we have breath, we still have time

    IT’S ONLY PETTY CRIME.

    GRANT BRIDGER-WRITER/DIRECTOR

    waihekegb@gmail.com

    0274 842524

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    • 24/03/2019 by Petty Crime Productions

      Donors -- I feel as if I*ve almost had an organ transplant the animal in me that is PETTY CRIME has had a new lease of life. The cast and crew and I have been greatly buoyed up(if that makes sense) by the fact that without your help we would never have got this far, let alone be heading for a WORLD PREMIERE in a few weeks. I did mention at the onset that if you donated( and correct me if I*m wrong)

      $100 or more that would get you a couple of seats to opening night. We have only set 30 seats aside for this out of a full house of 120, so you will understand the reason for my letting you know. My email is waihekegb@gmail.com so [please let me know if you want to take me up on that] Bookings are open now at www.artworkstheatre.org.nz or www.awt.org.nz